Showing posts with label 2008. Show all posts
Showing posts with label 2008. Show all posts

Rowdy Party Boy Girl Talk

 I can easily see how this might be scoffed at by serious record hounds, which I maybe aspired to once upon a time but haven't been for decades, as too obvious, the samples too popular. Unoriginal: 'Where are the esoteric DJ Shadow samples that nobody knows but me and my cool friends?' But as post-hiphop Frat Rock, witty party music, the copyright vandalism of Girl Talk is absolutely exhilarating dancefloor fodder. It's like Gregg Michael Gillis', aka Girl Talk, loves hiphop, sees a crossover rap and hard rock song like maybe RunDMC/Aerosmith's "Walk This Way (1986) as a fountainhead event in a new electronic hybrid genre, and sets out to produce club mix versions for all his 1990s and 2000s rap favorites. This is about as populist rock & roll in the original 'it's got a good beat and you can dance to it' sense as I've found in the 21st century. The Kids Are Alright, if oversexed as the 16-24 set will tend to be. In short, this is sweaty hot party music. For the excitable of all ages, but with a big parental advisory label. Okie-dokie?  

All Day (2010)


Night Ripper (2006)


Feed the Animals (2008) 

Robert's Court the Worst in American History?

 On this day [August 5] in 1965, the Voting Rights Act became law. It became such a fundamental part of our legal system that Congress repeatedly reauthorized it, by large margins, as recently as 2006.

But in the 2013 Shelby County v. Holder decision, the Supreme Court under Chief Justice John Roberts struck down the provision of the law requiring that states with histories of voter discrimination get approval from the Department of Justice before they changed their voting laws. Immediately, the legislatures of those states, now dominated by Republicans, began to pass measures to suppress the vote. In the wake of the 2020 election, Republican-dominated states increased the rate of voter suppression, and on July 1, 2021, the Supreme Court permitted such suppression with the Brnovich v. Democratic National Committee decision.

Letters from an American Historian 

A little case history for calling this the worst SCOTUS in US history: 

DC v. Heller, 2008: Declares for first time Second Amendment protects individual right to bear arms. 

Citizen's United v. FEC, 2010: Spurs latest orgy of super PACs and dark money in politics. 

Shelby County v. Holder, 2013: Guts Voting Rights Act protections against racial discrimination. 

Dobbs v. Jackson Women's Health Organization, 2022: Strips women of individual reproductive rights. 

Trump v. United States, 2024: Court gives immunity to POTUS as long as what they do can be construed as part of their "official duties," which then somehow exempted Jan 6 and trying to change votes in Georgia and refusing to relinquish top secret national security documents, etc. So, in other words, POTUS is now above the law. 

There's more but this list is enough to make the case, if you ask me. Republicans, with McConnell and Trump in starring roles, packed the Robert's Court with conservative ideologues and we are now living with the results: fascist, Christian nationalist, plutocratic rule in America. The blueprint: Project 2025. Only rivals, possibly, Taney Court 1836 to 1864, setting up the Civil War, or the Waite Court 1874 to 1888, basically, undermining the 13th, 14th, and 15th amendments to the Constitution. 

"Combination Pizza Hut and Taco Bell," Das Racist (2008)

 Das Racist, Heems and Kool A.D., their chosen collective name a commercial perversion from the start, score an unexpected hit in 2008. It blows up on My Space (I know, at this point that sounds like The Jetsons), which means it has been streamed enough that now it has its own page on Wikipedia. Heems and AD are on their cell phones in "the combination Pizza Hut and Taco Bell on Jamaica Avenue" in NYC but can't find each other. 

They sound perplexed but also like mildly amused stoners, they could be Harold and Kumar at White Castle, but the punky insistence of the hook over and over urges annoyance and speculation. Maybe they're celebrating and/or satirizing fast food combo places, like Black rappers naming special places in their home neighborhoods. Like Dick's in Sir Mix-a-Lot's "Posse on Broadway." My favorite guess is a suggestion that there are actually two combination Pizza Hut and Taco Bell's on Jamaica Avenue, as if they'd never met before. Real mysterious like Repo Man! The song is simultaneously mocking and a irrepressibly goofy dance track, two South Asians from Brooklyn doing their hiphop best. And not bad at that. I think Backpacker hiphop applies but I'm not entirely up on these matters. Anyway, a sly banger, Heems tapping an epic and massive dance club record from 1991, Masters At Work "The Ha Dance (Pumpin' Dubb)." 

Das Racist were unable to match the success of their debut viral sensation but I really like Heem's Eat Pray Thug album from 2015. Raw and cringingly catchy stuff about the immigrant experience before the fascist purge began. Hopefully they've reached that point in their lives where their one-hit wonder is a source of pride as it ought to be. 

"Strange Town," The Groundhogs (1970) and The Fall (2008)

John Lee Hooker's favorite backing band when he toured England in the 1960s. The Groundhogs. Another one of those Top Ten British bands, like Hawkwind, The Pretty Things, The Jam, that never won the same kind of success in the US. They were not played on the classic rock radio I listened to on the West Coast, for instance, although they absolutely perfectly fit the classic rock radio format. Tony McPhee another guitar god with the tasty rhythm riffing blues licks. Folkie interludes abound but full-on maximum r&b pounding and stomping jamrock when it counts. Biker gang cousins to Derek and the Dominos, who were all over classic rock radio. You go for any of this sort of music, blues rock, progressive rock, classic rock radio from the 1970s and 1980s on the harder edged garage rock side you will love their '71 album, Thank Christ For The Bomb (right, the sacrilege probably didn't help their cause in US markets). Not to be missed, anyway. Underrated classic rock album great. Although, if you must forgo the full album experience, "Strange Town" is the peak. The song. 

And here's Mark E. Smith, The Fall, being a Groundhogs' "copyist" (as he once said of Pavement, mere "Fall copyists"). And almost four decades later, 2008, Smith sounds drunk, slurring his way through his crank paranoia. It's a "Strangetown," everyone is so glum. He turns the hippie rock into an abstracted studio pop punk noir. A tight edgy riff rock rhythm with a few space rock sound effects. It scales down the original, gives it that Smithian (Mancunian?) bleak, scrappy Fall twist and demonstrates, again, Smith could still sometimes push the right buttons. At age fifty.                         


"Because we destroy illusions, we are accused of endangering ideals"

Revolution in Mind: The Creation of Psychoanalysis, By George Makari (2008):

They are still alive, but in a world he changed

simply by looking back with no false regrets;

     all he did was to remember

   like the old and be honest like children.

                                        --W. H. Auden

Psychoanalytic therapy--

"Psychoanalytic technique was built to allow the past to first become manifest and then be transformed into conscious memory so as to be laid to rest." p353

The goal of psychoanalytic training: "The didactic analysis opened them to the mysteries of the unconscious, after which the seeker would gaze upon the inner forces of the Oedipal Complex, infantile sexuality, and human ambivalence." p373

"If radicals like...[like Brown, Reich, Gross, etc] envisioned a world without repression, Freud envisioned a world where repression would be of little value, and where conscious choice would hold sway. It was a liberal's dream: increasing rational control over unreason and furthering individual emancipation. And it called for nothing more than the practice of psychoanalysis: it would be a revolution from the couch." p245

Psychoanalytic theories--

Oedipus complex: "Psychoanalysis already had a tragic vision of love. For Freud, the child longed for the unattainable parent and lived the rest of their life in search of someone that might dimly resemble that lost and impossible love. Looking for love was a search for ghosts."  p435

The Dynamics of Transference: "The objects of transference were fluid and changeable, but their roots were not. Love and hate were based on the templates laid down with the important figures from childhood. Evidence of unconscious templates could be found in emotional ties forged in adulthood, for we come to expect love in the forms in which we first knew it. These "stereotypical plates" were "prototypes" projected into the world. 

Forget transference to the dog, the apartment, and the butler. Think: Mother, Father, Sister, Brother. These first relationships were the deep structures of transference.

By interpreting these transferences and bringing them to awareness, the analyst gradually made these ghosts lose their grip. 

Freud had pushed aside the complex hermeneutics of dream interpretation and replaced it with the analysis of transference." p332

Beyond the Pleasure Principle: "In this new theory, Freud returned...to...a theory of trauma. Trauma represented an overwhelming of the psyche. The mind attempted to return to an inner state of constancy through repetition, no matter how painful. The war veteran replayed the shock of a shell exploding in fantasies and dreams, not out of pleasure per se, but rather in an attempt to stabilize his inner experience. The mind liked cliches, it liked conventions, it liked predictability. In hope of regaining that equilibrium, painful traumas were repeated again and again." p317

What begins in infantile sexuality as wish fulfillment gets twisted by trauma. The drive is no longer expressed as creativity, productivity, or Eros, the life-force, like a plant growing towards sunlight, but instead as an obsessive effort turned inward, struggling for a return to some peaceful past, before the fall, so to speak, before the traumatic event. 

Freud called the latter instinctual drive Thanatos or the Death Drive, and posited it as a force always in conflict with Eros, even if its mutated creation. The conflict is what Norman O. Brown would later coin Life Against Death. It's a neat structural theory, almost quaint in its Enlightenment preoccupation with the dialectic and binary dualisms and liberation but also maybe a little melodramatic and overwrought. 

Is life or death really the best model for the way our drives adapt day in day out to lived experience? Why not Dionysian passion vs Apollonian order, after all Nietzsche was a likely inspiration for Freud's idea anyway, or simply action vs rest? Why such an extreme life or death either/or for a conflict that is if anything ongoing, episodic, and repeated many times over in a human life? Partly, Freud's trying to get at the dramatic stakes these drives play in childhood development, where in childhood dreams they can appear as monsterish acts of castration or cannibalism, but I'm not sure Freud might not have eventually softened his Eros vs Thanatos binary the way he had eventually let up on some of his more extreme positions in the past. 

Legacies of Psychoanalysis--

"Again and again, over the coming years, Sigmund Freud would employ the same strategy: when opposed, he would fight bitterly to hold his ground, and then after rebuffing a foe, he would quietly incorporate those aspects of the challenge he most admired into his ever expanding models." p160

"In penning this fantasy of civilization's origins [Totem and Taboo], Freud acutely described his own tragedy. As a father of a movement, he had created a community in which he was repeatedly accused of being tyrannical. Now he would either have to let himself be symbolically murdered to allow the community to mature from a frightened, savage horde into a civilized brother clan or retard the civilizing process by refusing to cede his authority." p288

Psychoanalysis began in Vienna [and notably upon Freud's return from a research sabbatical in France] and spread to Zurich, Budapest, Berlin, London and finally New York City. By 1945 the Nazis had wiped out Jewry and psychoanalysis everywhere in Europe but Britain. As a consequence after the world wars over half the psychoanalysts in the world lived in the US. And were led by one of Freud's trusted proteges Heinz Hartmann. 

Ironically, Freud had always been skeptical about America, and discouraged early expansion thusly, "I also think that once they discover the sexual core of our psychological theories they will drop us." p234 

They didn't but Americanizing psychoanalysis did mean medicalizing it. Which meant driving out the "wild analysts"/sexual liberationists and the political revolutionaries and historians of civilization and its discontents, in short, driving out thinkers like Freud.