I'd forgotten how important the Colbert Report and Daily Show were for getting me through the Bush years and beyond. Truth is I've never been able to take conservative media straight, ever; too cruel and enraging and bad for my peace of mind. I need filters. So I've gone back to watching Colbert's opening monologues for his Late Show. These days they're almost always about the latest stupid affront to human decency perpetrated by the current regime and make it easier to laugh when you might otherwise feel like crying. Clearly a fan favorite are Colbert's impressions, mostly of Grump, but this one includes a hilariously spot on rendition of Bernie Sanders. For some much needed comic relief to our rolling disaster, I would like to suggest.
Likewise, I feel increasingly out of step with my age cohort on Israel and Palestine. When a longtime favorite music writer issued a hysterical post about the protests on college campuses against the war in Gaza last year I felt initially some sympathy for his obvious duress as a Jew but also felt increasingly alienated by the intransigence of his position. I believe Israel has a right to exist; I believe it has a right to defend itself against the violent attacks of its Arab Muslim neighbors. But I don't think it has a right to settler colonize the West Bank, or even the Muslim sections of Jerusalem, which it has been doing for decades. And I don't think it is has the right to indiscriminately bomb civilian targets in Gaza, as part of any military mission to remove Hamas, or win the return of hostages; and which, let's stipulate, nearly two years later has NOT achieved either of those goals but has resulted in over 50,000 deaths, many women and children, and, I'm sorry to say, at this point looks exactly like a genocidal terror campaign to ethnically cleanse Gaza of Arabs and Muslims. That is fucked up and wrong. And, of course, we shouldn't be harassing and jailing or even deporting people in the US for protesting Israel's war in Gaza. One of my go-to journalist sources, Josh Marshall @ TPM (might be behind a paywall; so subscribe, essential perspective on the news), shared the other day the longwinded reflections of a Jewish friend, worried about the impact of Mamdani's possible election as mayor of NYC. Not as hysterical as my music writer last year but my takeaway from this person's remarks was more or less the same: any opposition or protest of Israel or Zionism or Judaism has its way, even if unintended, of expanding antisemitism and so random violence and acts of terror against Jews. Maybe. There is certainly no lack of evidence of that in history. And I do think that terrible history does lend credibility to Zionism, the Jewish aspiration for a national homeland, even when I don't think Ethnonationalism as a rule is a very good idea. But this history can't exempt or pardon Israel from turning that same kind of violence and terror on others. Obviously, that is not okay and, equally obviously, it is only isolating Israel in the world. I hope Mamdani can reassure the Jewish community in NYC, while not abandoning the plight of Palestinians, because, to me, a Muslim-American mayor of NYC, the most populous center of Jewry outside Israel, a Muslim-American mayor that allies with Jews like Lander, and one that opposes all violence and war and terror in the Middle East between Muslims and Jews, might be in fact one of the best things that could possibly happen to the Israel vs Palestine conflict, or outside Israel anyway. Netanyahu is all pumped up with Israel's recent military success but Israel can't bomb their way out of their problems with their neighbors. Maybe some cooperation between Muslim and Jewish Americans can demonstrate a better way.
Anyway, now that I've heard Mamdani speak a little I'd have to say he sure doesn't sound like an antisemitic terrorist to me. Hear him for yourself.
Very rough video from 1977. Devo still working out their costumes; going for a Robin Williams look circa Mork & Mindy. But rocking out like twisted punk rockers. They're feeling each other out, locking in, winding up the tension and rocking out like they invented a new robotronic punk superdrug. Very confident. Tweakers tight. Hailing from Akron, Ohio, once upon a time Rubber Capital of the World, Devo go from Kent State to "Rust Belt" ur-text New Wave '80s chart champions. Here they are on the verge of breaking out. Also fine example of the robotic, herky-jerky, neurotic nerd spazzing dance style characteristic of New Wave, especially the stuff with any kind of electronic sci-fi art school performative theatrical keyboards slant.
Or this one, again, very early and crude but at Max's Kansas City in NYC the summer of 1977. Landmark event on the rock era timeline: Devo performing for Eno and Bowie and industry flak before recording their stone cold classic debut, Q: Are We Not Men? A: We Are Devo?, at some local NYC studio. Devo had been together since '73 and were seasoned enough but still what stands out here is their moxie and tightness. Charging into NYC and Max's with such nerdy swagger.
I saw them on their 1980 Freedom of Choice tour, at the old Paramount in Portland. It was rock 'em sock 'em electro dance music with jarring, colorful, pop culture montages on the big screen behind the band. Fun show. But maybe the end of their peak, as their albums seemed to drop off in quality thereafter. They began as a midwest nerd response to punk rock and end up as essential an ingredient to New Wave music as you're going to find, with Blondie and B-52's and Talking Heads and XTC and Human League and acts like that.
Devo belongs in a big salad of the best New Wave music circa 1977 to 1983.